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Date : 2013-09-30
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Magritte The Mystery of the Ordinary 1926–1938 MoMA ~ Beginning in 1926 when Magritte first aimed to create paintings that would in his words “challenge the real world” and concluding in 1938—a historically and biographically significant moment just prior to the outbreak of World War II —the exhibition traces central strategies and themes from the most inventive and experimental period in the artist’s prolific career Displacement transformation metamorphosis the “misnaming” of objects and the representation of visions
Magritte The Mystery of the Ordinary 19261938 Hardcover ~ Magritte The Mystery of the Ordinary 19261938 focuses on the years when Belgian artists produced some of his most important Surrealist paintings Highlights include The Menaced Assassin 1927 a macabre scene of lust and murder that blurs dream states and reality
Magritte The Mystery of the Ordinary 1926–1938 The Art ~ Bank of America is the National Sponsor of Magritte The Mystery of the Ordinary 1926–1938 Sponsors Funding for the Art Institute of Chicago presentation is generously provided by Helen and Sam Zell and the Auxiliary Board of the Art Institute of Chicago the Lead Affiliate Sponsor
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Magritte The Mystery of the Ordinary 19261938 ARTBOOK ~ Magritte The Mystery of the Ordinary 19261938 focuses on the years when Belgian artists produced some of his most important Surrealist paintings Highlights include The Menaced Assassin 1927 a macabre scene of lust and murder that blurs dream states and reality
MAGRITTE The Mystery of the Ordinary 1926–1938 – The ~ Magritte dissected the mysterious nature of thought and placed banal ordinary objects in extraordinary situations such as an oversized egg stuffed into a birdcage “Elective Affinities” 1932 He was influenced primarily by metaphysical paintings of de Chirico but also by Ernst’s frottages which Magritte does not lift off the wooden surface but paints on a woman’s naked body in “Discovery” 1927
Magritte The Mystery Of The Ordinary 1926 1938 The Menil ~ Magritte The Mystery of the Ordinary 1926–1938 is the first major museum exhibition to focus exclusively on the breakthrough Surrealist years of the Belgian artist René Magritte creator of some of the 20th century’s most extraordinary images It traces significant strategies and themes from a seminal period in the artist’s career particularly those of displacement transformation metamorphosis and the “misnaming” of objects as well as the representation of visions seen in
Magritte The Mystery of the Ordinary 1926 1938 Art ~ René Magritte The Interpretation of Dreams La Clef des songes 1927 Art Institute of Chicago
MoMA Magritte The Mystery of the Ordinary 1926–1938 ~ Magritte’s first solo exhibition held at the Galerie Le Centaure in Brussels in 1927 included 12 papiers collés or collages Such works were made of printed paper along with watercolor pencil and charcoal juxtaposing massproduced imagery with the handmade
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